RE: FL3/FL4 compensation on a Calibur

From: gerhard nebe-von-caron (Gerhard.Nebe-von-Caron@Unilever.com)
Date: Tue Aug 01 2000 - 07:27:31 EST


Just to add meine 2 Pfennige

Whilst spectral overlap may be constant, one of the problems of compensation
that it is indeed not a fixed value but depends on a number of factors, the dye
characteristics and the response characteristics of the detectors. The latter
is a combination of the spectral response mainly determined by the filter
characteristics (which are quite different between different instruments even
of similar models) and the amplification settings. For the simple case of the
'bleed' of FITC into the PE channel the value is constant for a fixed set-up of
both detectors. Below this is described in a hypothetical example

The signal received by detector FL1 is 1000 photons which the detector converts
into 1000mV. Due to the FITC emission and the filter combination the FL2
receptor will receive 100 photons thus 100mV that can be compensated by setting
fl2=fl2-10%fl1. A cell that sends 10,000 photos into FL1 (10,000mV) will
therefore send 1000 photons into FL2 (1000mV) which is again compensated
correctly with 10% as above. However, if one changes PMT voltages or
amplification factors things change. If for example the FL2 amplification is
doubled, the overlap of 100 photons will now generate 200mV, thus the 10%
compensation is insufficient or it is to high if FL2 amplification is reduced.
The inverse is true if only FL1 amplification is doubled. Whilst the 1000
photons will now generate 2000mV and the 100 photons in FL2 will still only
generate 100mV thus a 10% compensation would lead to a -100mV signal.

In case of a very bright green fluorescence one might set FL1 amplification low
to get the signal in scale. If full scale would be 10,000 mV and  100,000
photons to be detected the amplification factor would have to be 1/10. At a 10%
photon bleed this would send 10,000 photons in FL2, thus 100% compensation
would be required.

With the variation between instruments it is not possible to transferee
settings from one instrument to the other. A point to remember here is also
that filter characteristics are depending on the angle at which the photons
pass the filter / mirror, a trick usually used to fine-tune optical filters.

Hope this helps to clarify bits of the discussion

Gerhard

PS
And if I remember right, the spectrum of a dye is not a constant...



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